Where are all the musical works by women?

 
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Voices of Women

From Unknown to Renowned


The tone and weight of her voice are a perfect fit for “Green Finch and Linnet Bird.” She’s also confident and robust in Libby Larsen’s “Bucking Bronco.”
— Opera News Review of Voices of Women: From Unknown to Renowned

Featured Songs

Listen to the full album now on Spotify


Project Backstory

This album began as an idea in a workshop soprano and album producer Heather Fetrow attended called The Twenty-first Century Singer with Soprano Susan Mohini Kane in Los Angeles in the summer of 2016.

The focus of the album grew further to encompass the goal of honoring female composers as a result of collaboration with renowned soprano Dr. Julianne Baird in Philadelphia in December of 2016. These events coincided with the Women's March in Washington D.C. the next month in January of 2017, lending a sense of timeliness to the project.

The focus of an album of songs by women composers and other songs about women is unique and brings to the fore the vast social change the world is undergoing with respect to women in our society, both in the United States and elsewhere around the world.

Each piece addresses this separately from different points of view, in some cases from a previous age where the standards of women's expectations were very different than today.

The World Premiere of ''Still'' by outstanding and innovative composer Paola Prestini, sung as a duet by sisters, brings the album's concept full circle with a song composed for and dedicated to this album.

Also included are two piano pieces performed by Mila Henry, both by female composers, ''Light'' by Iranian composer Gity Razaz and ''No. 2'' from ''Nine Short Piano Pieces'' composed by Virginia Seay.


Track List

 

Barbara Strozzi

Che si puo fare?

Jules Massenet

Obeissons quand leur voix appelle (Gavotte)

Samuel Barber

St. Ita’s Vision from Hermit Songs

Paola Prestini

Still (World Premiere Recording)

Gity Razaz

Light

Douglas Moore

The Silver Aria (Gold is a fine thing)

Fanny Mendelssohn

Sehnsucht

Stephen Sondheim

Green Finch and Linnet Bird

Francis Poulenc

Chanson d’Orkenise from Banalites

Virginia Seay

Nine Short Piano Pieces: No. 2

Sergei Rachmaninoff

Vocalise, Op. 34, No. 14

G. F. Handel

Oh! Had I Jubal’s Lyre

Amy Beach

O Mistress Mine

Amy Beach

Fairy Lullaby

Libby Larsen

Bucking Bronco

Cecile Chaminade

Plaintes d’Amour

Lerner and Loewe

I could have danced all night from My Fair Lady

Heather Fetrow

Pilgrim’s Hymn

 

Press & Praise

Interviews

 

Reviews

★ ★ ★ ★ ★

This album is a particularly happy moment. The musicianship of the performers is excellent

I had the opportunity to hear this album in a pre-release concert, as well as to have the CD. The widespread marginalization of women in our current (and past!) society is increasingly apparent. For lovers of classical music and women, this album is a particularly happy moment. The musicianship of the performers is excellent—soprano voices that are strong, yet rich, and at times light and humorous. Mila, the pianist, beautifully aligns her piano playing with the music and the singers, and also offers a serialist composition by her Great Grandmother-in-law. The composers come from the 16th century (Barbara Strozzi) to 2017 (Paolo Prestini), and also include men who wrote songs about particular women. All in all these artists have created a wonderful experience of the known and unknown. Five stars!

Mary E. Wheat, M.D. via Amazon.com

 

★ ★ ★ ★ ★

I highly recommend it!

This album is not only timely but well-rendered. As our society increasingly recognizes the forgotten accomplishments of women, this album fills an important gap in the social record. The artists featured on this album are professional and, above all, humane. By this, I mean that all of the music is passionately and lovingly curated. This is a project of the heart, not just the mind. Ms. Fetrow's soprano is clear and expressive. Ms. Henry's piano is sublime! Also, the inclusion of Ms. Fetrow's sisters (Katy Fetrow and Rebecca Obert) shows a commitment to the project of showcasing talented women. Katy Fetrow's artwork aids in audience understanding and Rebecca Obert's voice compliments Ms. Fetrow's beautifully!

The album is a mix of pieces from the past and contemporary times. The commissioned piece highlights up-and-coming talent whereas the pieces from the past show a rich history of music by and about women that have not been fully recognized until now. The album ranges from serious pieces about love and relationships to lighthearted songs of musical theater. My favorite piece was "Still" (the commissioned piece). It is haunting and Ms. Fetrow's voice helps to instill an otherworldly quality to it. In general, this is a worthy project and a gorgeous album. I highly recommend it!

Julie Mainka via Amazon.com

 

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